Ize Press announced four new print webtoons at Sakura-Con 2026: Special Civil Servant, On the Way to Meet Mom, Reunion, and Merry Marbling. All four titles release late 2026.
Ize Press announced four new print webtoons at Sakura-Con 2026: Special Civil Servant, On the Way to Meet Mom, Reunion, and Merry Marbling. All four titles release late 2026.
A companion essay to “Good Faith on the Grand Line.” Every Jolly Roger this season is a creed. Every creed was written by a parent. And the entire moral divide comes down to what those parents were willing to sacrifice. From Hiruluk’s cherry blossoms to a grandmother’s fruit trees in Baní, Peravia, this is the argument the review didn’t have room to make. The flag you fly is the parent you had.
Season 2 of Netflix’s One Piece isn’t just a good adaptation. It’s becoming its own essential version of the story. A full-spoiler review covering the Garp-Roger brotherhood, the Nika dance’s connection to Elbaf’s theology, the Nami-Vivi masterclass, the full Season 2 cast breakdown, and a thesis about flags, fathers, and good faith that continues next week in “Flags and Fathers.”
A cultural analysis of Kendrick Lamar's DAMN. exploring how "XXX." and "FEAR." form a theological mirror — tracing Wickedness and Weakness through Deuteronomy, the prosperity gospel, Catholic redemptive suffering, and the Black sacred tradition to ask whether the curse that defines Black American life is answered with the fist or the open palm.
Anime is a translation. Not metaphorically—functionally. Studios, committees, broadcast schedules, and adaptation choices all stand between you and the story a mangaka originally created. That’s not a criticism of anime. It’s a reminder that the original text still exists—and reading it changes how you see everything that came after.
I kept seeing the same online fights repeat and realized I needed a map. So I made one: a free, dense-on-purpose PDF about platforms, fandom, and the culture war.
If you’ve ever felt uneasy about One Piece’s turn toward “destiny,” this is me trying to put that unease into words, as someone who’s lived with this series in weekly format for 17 years.
Doujinshi are magical. There's a breadth of things that can happen in the span of however many pages in a book, and the nature of being self-published means that an author can just let their mind soar. Isaki Uta's Leaper is a one-shot story that premiered ten years ago in Monthly Afternoon Magazine, jump-starting their career as a professional mangaka after winning an honorable mention. Previously, I was fortunate enough to cover Uta-sensei's Mine-kun is Asexual, and Mermaid in the Bottle--both being much more recent works that display their refined sense of storyboarding and art. Going back to any artist's roots means being able to notice details and purposeful actions or habits that turn into quirks and hallmarks of their style. I'm happy to report that plenty of things I really appreciated from Uta-sensei's other work is also present in their first published work!
Today, I'm very proud to bring to you my thoughts and impressions on not just one, but two doujinshi created by Isaki Uta, thanks to Irodori Comics!
Based on the works of: Sir Arthur Conan Doyle Storyboards by: Ryosuke Takeuchi Art by: Hikaru Miyoshi Translation: (´・∀・`)サア? Touch-Up Art and Lettering: Annaliese "Ace" Christman Design: Joy Zhang Editor: Marlene First Among the many things I read, there are some genres I dip my toes less and less into, over time. One of them … Continue reading Moriarty the Patriot, Vol. 1 | REVIEW